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类型:欧美剧
主演:玛丽娜·亚历山德罗娃 尤利娅·奥格 亚历山大·亚森科 弗拉基米尔·缅绍
导演:拉米尔·萨比托夫
语言:俄语
年代:未知
简介:俄罗斯电视一台最新关于叶卡捷琳娜大帝的传记电视剧,由在《情迷彼得堡》当中出演黑森公主玛利亚闻名的玛丽娜·亚历山德罗娃主演
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类型:剧情片
主演:芭尔芭拉·克拉夫托夫娜 哈莉娜·米科拉伊斯卡 Henryk·Bouko
导演:卡其米尔茨·库茨
语言:波兰语
年代:未知
简介:50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。In 1960 his second film...
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类型:爱情片
主演:玛丽安娜·贾努谢维奇 阿莱西亚·罗曼诺娃 罗曼·卢茨基 Aleksan
语言:乌克兰语
年代:未知
简介:Рад? представити трейлер стр?чки ?В?ддана?. ?стор?я, де виру? калейдоскоп любов? та ревнощ?в, подв?йних смисл?в ? та?мниць, грань м?ж реальн?стю ? вигадкою остаточно зника?. У головних ролях ви побачите Мар?анну Янушевич, Алесю Романову та Романа Луцького. Вишуканими образами нас здивують Ада Роговцева, Наталя Васько, ?рма В?товська та Марина Кошк?на. Складний каскадерський ном...
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类型:恐怖片
主演:Aleksander Ristic Cynthia Bravo Mat
语言:英语
年代:未知
简介:R.D. Womack II's patiently paced thriller has been hailed, "as thrilling as it is beautiful" - Brian Corsetti, HollyScoop. Follow Lester; a privileged underachiever who awakes to find himself kidnapped and stranded in a snowbound cabin. Along with Viviana, another captive, the two must survive the brutal onslaught of winter and outsmart their kidnapper; a sniper calling himself "Wolf". With a blizzard bearing down on them the pair embarks on a deadly game of survival. Will the pair find a way through the winter storm to freedom, or will the mountain become their icy grave?
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类型:动漫电影
主演:LarisaBrokhman ProkhorChekhovskoy A
语言:俄语Russian
年代:未知
简介:莫斯科,18世纪初,苏哈列弗塔楼附近有一个实验室,它属于著名的巫师雅各布·布鲁斯,这里总是发生一些神秘事件。布鲁斯的女儿玛戈和伙伴皮特在争吵中撕毁了一份古老的手稿,这份手稿里蕴藏着布鲁斯的魔法力量。现在他不能再从黑暗中保护祖国,皮特和玛戈必须进入魔法世界以恢复手稿,与此同时布鲁斯正奋力与黑魔法对抗……
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类型:剧情片
主演:Aleksei Devotchenko Oleg Fyodorov A
语言:德语
年代:未知
简介:"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues. Gherman’s film is, in a sense, a response to his father’s war film 20 Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.